It was the first entry on the chart for a "broadway musical transitioned into film soundtrack" since Grease: The Original Soundtrack from the Motion Picture in 1978. But Roca believed that the Latin influences present in the original songs were missing, due to John Mauceri's "languid conducting of the soundtrack, and most of all by Vincent Paterson's choreography". Playing via Spotify Playing via YouTube…  The single-disc edition of the soundtrack charted separately on the Billboard 200, reaching a peak of number 167. In many ways, she does more with less than her predecessor". [...] comparing her performance [on the soundtrack] to that of Patti LuPone, one comes away with a new admiration for her vocal skills.  The British Phonographic Industry (BPI) certified it double platinum for shipment of 600,000 copies.  Engineer David Reitzas performed the mixing of the track at Larrabee North Studios, utilizing their Solid State Logic 9000 J series consoles for the mix. It's a pop-culture clash that is sometimes quite annoying (especially in Rice's left-field rhymes) but still works like a charm". Also, she was determined to sing the score as it was written and not to cheat in any way". Evita is the third soundtrack album to feature American singer-songwriter Madonna, released on October 25, 1996 by Warner Bros. Records. Listen to music from Evita Soundtrack like Requiem For Evita, Don't Cry For Me Argentina & more. Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run.  Greg Kot from the Chicago Tribune, wrote that "the two-CD soundtrack casts Madonna in a new light. , With "Waltz for Eva and Che", the soundtrack's atmosphere becomes tense, as Banderas and Madonna sing on top of bass and timpani. Rice had included details about the character of "Che" attempting to market an insecticide, most significantly in the song "The Lady's Got Potential". Evita is the third soundtrack album by American singer Madonna. : Evita (soundtrack) is part of the Evita (1996 film) series, a good topic.This is identified as among the best series of articles produced by the Wikipedia community. It was released on November 12, 1996, by Warner Bros. Records to promote the 1996 American musical drama film, Evita, directed by Alan Parker. Through the songs, the soundtrack tells the story of Eva Perón's beginnings, her rise to fame, political career and gradually her death. , "Don't Cry for Me Argentina" was released as the second single from the album on February 4, 1997.  Along with the Billboard 200, Evita reached the top of the Soundtracks Albums chart. Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.  Conductor John Mauceri remembered another challenge the production faced was adapting the stage numbers into a feature film; "On film, it's different than being on stage because the person on the screen in front of you is never farther than someone on the pillow in bed next to you". Amazon.com. Read about Requiem For Evita by Evita Soundtrack and see the artwork, lyrics and similar artists. After a short interlude by Nail, "On This Night of a Thousand Stars", a distorted electric guitar and bass heralds "Eva and Magaldi / Eva Beware of the City". However, Lloyd Webber was critical of the recording arrangements done in the studio. Available with an Apple Music subscription. ^shipments figures based on certification alone, For the soundtrack of the film adaptation, see, "British album certifications – Studio Cast Recording – Evita", Joseph and the Amazing Technicolor Dreamcoat, The Phantom of the Opera at the Royal Albert Hall, https://en.wikipedia.org/w/index.php?title=Evita_(album)&oldid=1000234887, Short description is different from Wikidata, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "On This Night of a Thousand Stars" / "Eva and Magaldi" / "Eva, Beware of the City", "Charity Concert" / "I'd Be Surprisingly Good for You", "The Actress Hasn't Learned the Lines (You'd Like to Hear)", "And the Money Kept Rolling In (And Out)", On This Night of a Thousand Stars / Eva and Magaldi / Eva, Beware of the City, Charity Concert / I'd Be Surprisingly Good for You, On the Balcony of the Casa Rosada / Don't Cry for Me Argentina, The Actress Hasn't Learned the Lines (You'd Like to Hear), Producers - Andrew Lloyd Webber and Tim Rice, Assistant engineers - Jeremy Gee and Anton Matthews, This page was last edited on 14 January 2021, at 06:55. Recalling in his The Making of Evita essay: Finally, while I was visiting Andrew at his country estate in Berkshire to play him the tracks we had recorded, he suddenly sat down at the piano and played the most beautiful melody, which he suggested could be our new song.  Authors Allen Metz and Carol Benson wrote in their book The Madonna Companion that the soundtrack gave Madonna "some of the post-disco queen/sex machine credibility she so desperately crave[d]".  As the song moves towards the chorus, the piano sounds stop and the cello plays with Madonna belting out the lyrics: "Deep in my heart, I'm concealing, Things that I'm longing to say", when the piano and the orchestra sounds come back again. It was released to promote and accompany the 1996 motion picture, Evita. Try it free. However, we still needed lyrics and Tim dutifully began to put words to the music. Since Evita required the actors to sing their own parts, the training helped in increasing Madonna's confidence in the songs. Flores and Garza kept the Latin composition of the track, while "flattening" the groove to make it suitable for playing in dance floors. The soundtrack was her most challenging endeavor since the Stephen Sondheim songs recorded for the 1990 film, Dick Tracy. Soundtrack Credits .  Following its promotional release in October 1997, "Buenos Aires" peaked at number three on the Billboard Dance Club Songs chart. I was a complete mess and was sobbing afterwards. Warner Bros. Records released two versions: a two-disc edition entitled Evita: The Complete Motion Picture Music Soundtrack, which featured all the tracks from the film, and Evita: Music from the Motion Picture, a single-disc edition. The performances and music are, of course, the same, but it is still one of the very best musicals ever made - and I have seen hundreds to compare Evita to.  Upon its release, the song reached the top ten of the charts in the United Kingdom.  The cast was also nervous.  According to Lloyd Webber, the song's main inspiration was to showcase Eva's emotional state at the time as well as her relationship with Juan. A two-disc edition which featured all the tracks from the film, and a single-disc edition contained a selection of song highlights. , Elements of the original plotline on this album were removed before the show was staged in London in 1978. The libretto and synopsis record "Part One" as ending after the balcony scene following "Don't Cry for Me, Argentina" and "Part Two" beginning with "High Flying, Adored". Critical reception towards the soundtrack was mixed, with AllMusic's Stephen Thomas Erlewine calling it "unengaging" while Hartford Courant's Greg Morago praised Madonna's singing abilities. Find the latest tracks, albums, and images from Evita Soundtrack. Warner Bros. was initially reluctant to release the remixes, but decided to finally release it to coincide with the home video release of Evita the film.  Military drum beats and a brass section start off "Peron's Latest Flame", where Banderas sings loudly about the general population disapproving of Eva. An emergency meeting was held between Parker, Lloyd Webber and Madonna where it was decided that the singer would record her part at Whitfield Street, a contemporary studio, while the orchestration would take place somewhere else. She had the lion's share of the piece, singing as she does on almost every track. It took almost four months for the soundtrack to be finished. The sound of train horns, Latin percussion, drums, and light guitars introduce "Buenos Aires", talking about Eva finally arriving in the city. The album was relaunched on compact disc in 1996 as the "20th Anniversary Edition" with the cover printed on a silver, blue metalised paper rather than the original white. , *sales figures based on certification alone^shipments figures based on certification alone, 1996 soundtrack album by Madonna / various artists, Cover for the two-disc edition of the album.  Evita was a commercial success, reaching the top of the charts in Austria, Belgium, Scotland, Switzerland and the United Kingdom, while attaining top-ten positions in other major musical markets.  The Recorded Music New Zealand (RMNZ) certified it platinum, for shipment of 15,000 copies. Listen free to Madonna – Evita: The Complete Motion Picture Music Soundtrack (A Cinema in Buenos Aires, 26 July 1952, Requiem for Evita and more).  Recording the soundtrack was a slow process and took almost four months before it was completed. While drafting the script, Parker had re-written the last act, removing the repetitive content of the original play.  For the first day's sessions, music supervisor David Caddick suggested to record "Don't Cry for Me Argentina" with the 84 piece orchestra backing Madonna's vocals. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. He pondered over the script and the music, expecting any questions that the actors would have for later. The soundtrack for Evita was released in the United States on November 12, 1996. The soundtrack was released in two different versions. Andrew Lloyd Webber is a genius and the music is inspired, beautiful and fun. , AllMusic's Stephen Thomas Erlewine gave a mixed review calling the soundtrack "unengaging".  Madonna had already enlisted the help of composers Tim Rice and Andrew Lloyd Webber, who had originally created the musical Evita. Other principal vocalists include Banderas, Pryce and Jimmy Nail. 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